Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.

Adelaide

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in , , , ,

Oil Painting of Adelaide, a shoeless child, From a 1901 photograph. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken’s) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are evolving – WIP

2025

14″x17″
Oil Painting on 98lb paper

The last few edits

below are versions of this painting during the final stage of fine tuning. This usually involves the hands, feet, fabric & faces.

  • Oil Painting of Adelaid the shoeless child photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this paintiing it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaid the shoeless child photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this paintiing it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaid the shoeless child photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this paintiing it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaid the shoeless child photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this paintiing it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.
  • Oil Painting of Adelaide, a shoeless child, photographed in 1901 or so. She asked to be photographed with her boots off because she was embarrassed that they were so tattered. She is a bit soiled. She is in the streets of London in the Edwardian (Dicken's) Era. The photograph reference is black and white but in this painting it is imagined that the child has red hair and her dress and shawl are as of yet undetermined color but probably dark.

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